As part of Dada Days In Columbia, 701 Center for Contemporary Art
presents three nights of performances by Columbia artist Jason Kendall of
kendallprojects. The performances, (the) TRANSITIONER: Episode I, Who
Do You Love, will take place Thursday through Saturday, March 3 – 5,
2016, 7:30 pm.
Alternating on stage between a cross-fit workout carrying sandbags
and playing a guitar while singing “Who Do You Love,” Kendall during his
performance will present a character who is a visual
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As part of Dada Days In Columbia, 701 Center for Contemporary Art
presents three nights of performances by Columbia artist Jason Kendall of
kendallprojects. The performances, (the) TRANSITIONER: Episode I, Who
Do You Love, will take place Thursday through Saturday, March 3 – 5,
2016, 7:30 pm.
Alternating on stage between a cross-fit workout carrying sandbags
and playing a guitar while singing “Who Do You Love,” Kendall during his
performance will present a character who is a visual mix of different
identities contained within one single persona. Kendall deconstructs his
ever-present fascination with what happens to the American male when the
masculine identity they have developed and presented throughout their
lives is suddenly stripped away and thrown into a state of identity transition,
forcing them to immediately begin negotiating a new identity. Whether they
are transitioning from being an athlete to a non-athlete, as was the case for
Kendall, or from being a construction worker to being a disabled employee,
they unknowingly face a state of flux that causes their personality to fall
away at the perimeter of a catastrophic experience.
“This character,” Kendall says, “embodies what guides someone
through the reconciliation of their cycle of conditional self-worth, for
instance, as in my case, after a sports career. The project reflects how
people immerse them selves in sub-cultures such as music, competitive
exercise, comics, video games, etcetera, creating an escape from not
being the person they feel they should be. They operate within a
transitional state of identity providing a fantasy world to flee to mentally and
physically. This type of narrative allows this character to act as a
fan/cheerleader and active participant within several subcultures while
offering, in my case, a disconnected southern masculinity caught in a
sequence between work and play. He works to play and plays to work,
blending music and physical exhaustion in an effort to entertain both
himself and the audience.”
Jason Kendall (b. 1975, Columbia, S.C.) has had solo exhibitions in
Florida, New York and at the Tapp’s Art Center in Columbia. He was
selected for the 701 CCA South Carolina Biennial 2015. Among other
group exhibitions in which he participated were those at Cynthia Broan
Gallery, Secret Robots Projects and Washington Square Galleries East in
New York, the Columbia Museum of Art and the Tapp’s Art Center. Kendall
earned an MFA from New York University and a BFA from Ringling School
of Arts & Design in Sarasota, Fla., after taking art classes at the University
of South Carolina and North Greenville (S.C.) College as a member of
those institutions’ football programs. He worked at Dia Center for the Arts in
New York and Beacon, N.Y. Kendall taught at New York University and is a
teacher at the Palmetto Center for the Arts at Richland Northeast High
School, just outside of Columbia.
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